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• Comment Link Cuma, 14 Ekim 2022 12:21 posted by Concetta

  MY LIFE AS A ROLLING STONE 
  
  SATURDAY, BBC2
  
  Rating:
  
  Full disclosure: I am a Rolling Stones obsessive.
  
  I was born in 1967 (not, thankfully, in a crossfire hurricane, although the weather in South Wales can be quite challenging), the year that they released Ruby Tuesday and Let's
  Spend The Night Together. 
  
  I grew up listening to their records; one of my earliest memories is of my dad bringing
  home a copy of Let It Bleed (1969) and being obsessed with the cake on the cover -
  cake has also been a lifelong obsession. Their music was the soundtrack to my mad childhood, from the toxic masculinity of Sticky Fingers to the full on brilliance
  of Some Girls. 
  
  So this BBC four-parter, available on iPlayer, was always
  going to be required viewing.
  
  Released to coincide with their recent concerts in Hyde Park - one
  of which took place at the same time as Sir Paul McCartney's
  performance at Glastonbury, the great yin and
  yang of British pop music there in one single night - it explores the band's
  four core members through surprisingly candid interviews with the remaining three (Charlie Watts having sadly passed away last
  year). 
  
  
  
  
  
  
  Despite all the madness, all the drug busts and girlfriends, Mick Jagger ran the Rolling Stones like a business, writes
  Sarah Vine
  
  
  
  
  
  
  
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  Of course, Mick is the most fascinating, for the simple reason that he is
  Mick, the eternal manipulator. Quite how someone as middle-class as
  this grammar school boy from Kent managed to carve out a successful career as His Satanic Majesty remains one of the great paradoxes of rock'n'roll. 
  
  
  
  
  
  
  Sarah Vine (pictured) says that the new documentary is a thoroughly enjoyable few hours in the company of the
  'greatest rock'n'roll band ever'
  
  
  But as he himself says, the Jagger you see on stage is a performance, a persona
  based on careful observation of what works and what doesn't.
  
  
  He talks about studying camera angles for TV performances in the early days, figuring out what worked and what didn't. 
  
  Despite all the madness, all the drug busts and girlfriends,
  he ran the Rolling Stones like a business, realising that if the band was to succeed, someone had to be in charge, and that was him. 
  
  The same is emphatically not true of Keith Richards,
  who is chaos personified.
  
  The opposite of ruthless Jagger, Keef is a shy, warm-hearted dude who
  just wants to 'turn people on' and have a laugh,
  man. 
  
  As vulnerable - emotionally - as Mick is resilient, the pair (the Glimmer Twins, as they call themselves) are like two
  halves of a whole, which probably explains the chemistry between them.
  
  You sense in Keith the true soul of a tortured artist, which probably
  explains his long struggle with drugs, not to mention his extraordinary talent as a guitarist. 
  
  The chapter on Charlie is inevitably rather wistful, and tinged with sadness; as for Ronnie Wood,
  he seems to revel in his role as Keith's court jester.
  
  He nearly killed himself trying to keep up with Keith's drug intake, but seems cheerful
  enough about it. 
  
  All in all, a thoroughly enjoyable few hours in the company of
  the greatest rock'n'roll band ever, together with some wonderful footage and,
  of course, one or two cracking tunes.
  
  UNADULTERATED LOVELINESS 
  
  JUDI DENCH: OUR NATIONAL TREASURE 
  
  FRIDAY, CHANNEL 5 
  
  Rating:
  
  
  
  
  
  
  Sarah Vine enjoys the new tribute to Dame Judi Dench
  (pictured), from the eight minutes as Queen Elizabeth I that won her an Oscar
  to her much loved TV appearances in As Time Goes By and A Fine Romance 
  
  
  If you want an antidote to all the doom and gloom, look no further than this tribute to one of our greatest living performers: Dame Judi Dench. 
  
  A superb line-up of tremendous old luvvies jostle to sing her praises,
  from her friend and fellow actor Dame Penelope Wilton to Simon Callow (who narrates), Richard Eyre, Gyles Brandreth and, erm, rapper Lethal Bizzle. 
  
  It's all here: the eight minutes as Queen Elizabeth I that
  won her an Oscar, the star turns as M in James Bond,
  her extraordinary performance alongside Billy Connolly in Mrs Brown, as well
  as her muchloved TV appearances in As Time Goes By and A Fine Romance (alongside her late husband,
  Michael Williams). 
  
  Pure, unadulterated loveliness from start to finish.
  
  If you missed it, make sure you catch up on My5. 
  
  BRIGHTON'S BABY-FACED BOYS IN BLUE
  
  NIGHT COPPERS 
  
  TUESDAY, CHANNEL 4 
  
  Rating:
  
  It's a cliché, of course, that policemen get younger every year, but in the case of the stars of Channel 4's
  new fly-on-the wall documentary Night Coppers, it's so true it's actually a bit frightening. 
  
  
  
  It's not easy to write about your husband.
  
  I bit through several pencils
  
  
  The Duchess of Cornwall on Camilla's Country Life, Wednesday, ITV
  
  
  The show follows the fortunes of Will, 22, his partner Matt,
  19, and their various colleagues in blue as they tackle the waifs and strays of after-hours Brighton, party capital of the
  south coast.
  
  Will and Matt are straight-up adorable, two fresh-faced cherubs
  at loose in a Hogarthian hell-hole. 
  
  Will is the grown-up (ha!), Matt the baby.
  Bless him, he did all his training in lockdown on Zoom, not exactly ideal preparation for the fleshpots of Kemptown. 
  
  With actorly good looks (he reminds me a bit of Matt Smith),
  he wears a permanent expression of astonishment, mixed
  with slight horror.
  
  Will is more self-assured: at one point he confidently stops a middle-aged lady
  in her electric G-Wiz for driving erratically, on suspicion of drink-driving. 
  
  As they wait for a breathalyser, it transpires she's a newly retired
  inspector in the Sensitive Intelligence Unit.
  
  
  
  Needless to say she passes the test. Poor boy. 
  
  The police have had such a difficult time lately, it's
  easy to forget the vast majority of men and women in the
  force are good people. This show, with its lively editing and light touch,
  is a wonderful reminder of that, as well as a
  real insight into what they have to put up with. 
  
  Abuse, foul language, violence - all met with patience, generosity of spirit and humour. 
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